| Abstract [eng] |
The theoretical part of the master work contains the phenomenon of emigration by various aspects as one of forms of migration. Visual creative interpretation of it was made. Collected and organic theoretical information lets us to form a broad-brush opinion about emigration phenomenon. Emigration – complicated, multiple and not unambiguous phenomenon. It does not overtake neither history nor policy. Someone consider it as a beneficent public phenomenon, as changes enrich, for others it gives pretext for national, racist and others conflicts. Recently emigration phenomenon becomes highly hot in Lithuania and gains more new aspects. Still it is talking about unabated emigration wave, though a few years ago it was considering that the emigration is necessary economical phenomenon, which the state doesn’t need neither observe nor even control. The particular break happened in 2006 when the report of the Statistics department appeared, which declared that our state leads in Europe according emigration scale. Today, when Lithuania is commemorating the anniversary of the millennium, the alarm rings: the emigration becomes uncontrolled, Lithuania turned into dissipated state. The emigration phenomenon is actively analyzed in the scientific researches in later decade, but this subject is rarely interpreted in the artistic context. The problem of the master work determines the hypothesis of the research, as emigration can be conceptual art object, which gains individual shape of social publicity. The posed hypothesis was confirmed, it could be proposed that burning emigration phenomenon is not often mentioned as an art object. The creative part of the master work „Emigration“ could be not only the object of the exposures in the exhibitions but it could also give the social function – to encourage people to fix their attention on the burning problem and do not keep a still but express active attitude on this phenomenon. |
