| Abstract [eng] |
In the theoretical part of the Master‘s Project the reminiscences, as the phenomenon, preconditions, modes and results of its appearance have been researched from various aspects. Visual creative interpretation of this phenomenon is presented through the inclusion. Reminiscences, living in sub-consciousness, are stirring up certain cells of memory neurons constantly. Irritation reaches the heart and, depending on the significance of the cell substance, produces weak or strong electric power. And here the conscious starts to function immediately. Something featureless is flashing out through the eyes. The shape is showing up, and one can see the form, which takes its apparent shape, colour and odour faster and faster. The emotions, memories, which bring the warmth, coolness or piercing cold, are reviving. Reminiscences materialize in objects, said or recorded words, music, film or the odour smelt sometime long ago. These sentimental emotions mixed with the reminiscences of the past are able to stop us from the tear into embrace of the groove, which sometimes takes down everything which is precious, and is chewing with great relish our memories, which we desolate and do not uphold due to our negligence, distraction, carelessness. While the nature itself dictates us that it is necessary to preserve the past and memories, by creating the amber into which it is sinking the inclusion – symbol of reminiscences of the past. The thrown up hypothesis had proved out, therefore it is possible to state, that reminiscences as an art objects are not common, though personal reminiscences, empathies and experience of the past are the keystone of the creation for many modern artists. Conventionalism of textile and combination of modern technologies had helped to reveal the sentimentality of reminiscences. The main conception of the work is based on the memory as natural phenomena and reflections of its forms, which are transferred to the human life, their relationships, communications, emotions, and is substantiated on physiological, psychological and philosophical theories. Reminiscences, when seen through the prism of art, philosophy and psychology – are the tool for visual expression of existential verities. Information collected and systemized in the Master’s Project shall allow to form a summarized view on the phenomenon of the inclusion of reminiscences. The creative part of the Master’s Project “Inclusions of reminiscences” is significant, because the spectator is encouraged, while viewing the collection, to proceed with the initiated idea - to look for own inclusions of reminiscences. |
