| Abstract [eng] |
The master’s thesis analyses the use and meaning of the concept of staging, the relationship between staging, performance and the audience’s reception, actualizes the interaction between fiction and reality, reveals the importance of the anthropological dimension in theatrical and literary discourse. The elements operating in the theatrical staging process are defined: pre-planned verbal and non-verbal sign operations (staging procedures, strategies), the interaction of the participants determining the performance and the spectator’s perception act (autopoietic feedback loop), unforeseen emergent factors. The peculiarities of the connection with the texts of culture and life created in the performance are revealed, the liminality of actors, characters and spectators is studied. Particular attention is paid to the relationship between Kirilas Glušajevas’ play Julija, Parulskis’ play Julija and Žemaitė’s Autobiografija, the analysis of strategies for the presentation of meta-comments and meaning, taking into account the links with universal cultural values. |
