| Abstract [eng] |
The television applied dramaturgy expression methods that were nurtured by theater at the beginning and later by cinema and created original drama world whose spectators are people sitting in front of the television. The television dramaturgy takes barely its first steps, compared with theater and cinema which have the experience of decades or even centuries; therefore there are no wider TV drama study. An object of the master thesis is an analysis of Lithuanian radio and television project National search service and research of dramaturgy expression. The show National search service was chosen because of its uniqueness in Lithuanian television channels. The show which helps to find one‘s own flesh and blood dissipated in the world is the broadcast that has no analogues in the programmes of Lithuanian television channels. The goal was to examine how dramaturgy was conveyd in a particular television broadcast, what theatrical and cinematic dramaturgy elements were adopted in TV projects and what impact the dramaturgy elements make on an audience in the television. The objectives of the master thesis were coherent with the analysis of dramaturgy elements applied in television, the description of trends of dramaturgy expression in Lithuanian TV and the evaluation of prospects. The main focus was to determine the significance of drama pieces in television programmes and to summarize TV audience needs and expectations related to dramaturgy. The methods of the study involve watching the archive of National search agency, transcripting in full-scale watched shows; carrying out comparative analysis of collected material and theoretical dramatic expression models and features; analyzing statistical data related to TV audience. In this master thesis the guidelines of dramaturgy expressions were summirized. The goal was to establish what dramaturgy elements made stronger and weaker impact on the audience. Based on the analysis of the best and the worst broadcasts the finer points of dramaturgy expression in television were evaluated; the proposals of how to use the dramaturgy even more effectively were suggested. Besides theoretical proposals the dramatical expression tools were divided into two groups: ones that stimulate emotions of the audience and ones that supress. Thus the weaker points that should be improved or withdrawn of drama pieces were noticed. This study can be useful for creators of new television projects where dramaturgy elements are important and for everyone who is interested in Lithuanian dramaturgy. The master thesis will complement the theory of dramaturgy expression in television which is getting more and more popular in recent years but has been poorly described thus far. |
