| Abstract [eng] |
SUMMARY New type of subject Kukutis was introduced in lithuanian poetry in XX century 7 decade by the poet, essayist and interpreter Marcelijus Martinaitis (1936). The object of this Master work are ballads of collections “Kukučio baladės and „K. B. Įtariamas. The aim of this research is to determine lines in time and space where Kukutis and K. B. Are developed. This aim will be achieved by the help of these tasks: to reveal what mythology, myth are and their link to literature; to explain definition of paradox; to talk about J. Lotman’s conception of world-view and text, his view to mechanism of secular reflection; to show phenomenon of lyrical subject Kukutis; to define lines of Kukutis’ spacetime; to reveal modernism of K. B.; to research inner multi-layer of Kukutis and K. B.; to determine changes in Kukutis’ spacetime. The subject is be analysed by the help of anglysis, interpretation and comparison, mythopetic critic‘s methods, definition of paradox is be explained. Myths were beginning is religion. They reflect world view of mankind. It is told that myth developed as a story with it‘s structure and functions. It builds up a group and it‘s identity; as mythological story which has no bond with corporate identity and functions of the group. Cultural and social anthropology determines contemporary myth in classical methods and postmodern view. Postmodern mythodology legitimates, it becomes the part of rational discussions and society‘coorporation. In the aspect of language, speech and writing it tells about various forms of contemplation. Mythological contemplation is mystifying and spiritualizing nature. The language of myths is methaforical. Mythopoetics is a context, where premyths and their participants developed. The parts of it is myth and ritual. Ballads is avan-gart phenomenon which recreates world-view in modern way. Kukutis is behind social limits, in his own consciousness thinking and creating outer world-view and forming indipendant new world, where all transformations are possible. It is created by the principle of paradox along with irony, grotesque. The representative of agrarian culture Samogitian Kukutis doesn‘t feel the limits of life and death. On this side and the other side of world he depolarizes in his consciousness. There is no longer a line between life and death. Mythical world-view is allegorically combined of incompatibles, being and non-existance, eternity and absolut time is defined. The speech is simple. Multi-planned world-view in Kukutis‘ mind has a specular image combined with sememe of curvature. Processed it is realized as harmonious undivided unit. Principles of creating ballads can be compared to Western postmodernism. World-view in consciousness of K.B. it is reverse specular view. Character expresses himself in various ways at the same time. The figure in the centre „I“ is sort of playing with life and as well represents it. Space-time is created by the point of value, from one object to another. It is created by historical and mythical consciousness of K.B. Often action takes place in surrealistic environment. K.B. dublicates himself and represent different types of personality. There is redundant present time. Mythical and historical reality come close to one another in consciousness, there no longer is time and space distance. Ballads of „K.B.“ reflect signs of postmodernism. The culture of the period is often realized as a text which one has to read, decode. The essence of human is the part of Universe‘s essence. Outer structure of world -view is analogical to inner structure of world-view in consciousness, they both are the part Universe structure. The world which exists as independant and recreated can be simulated universality. There the character creates simulated „society“ which has a main character „I“. Character K.B. – is a prototype of Kukutis. Texts reveal curvature and eternity sememes. K.B. retains his own as character historical memory. |
