| Abstract [eng] |
Musical Sources in Poetry. Federico García Lorca, Algimantas Mackus, Antanas A. Jonynas The paper analyses the relation between music and literature in the works of XXth century modernist Lithuanian and Spanish poets. The study includes the poetic works of three authors that represent different generations ir cultural regions, i.e. Spain in the beginning of the XXth century, postwar period Lithuanian exodus, and Soviet Lithuania). The comparative analysis concentrates on the reception of music in literature. The aim of the paper is to describe and analyse the musical sources in poetry from distinct periods of modernism and cultures, discover terms and conditions that affect the adoption of a particular musical source and what relation do the poets themselves have with these sources. The analysis is based on the study of music and poetry in the works of Federico García Lorca, Algimantas Mackus and Antanas A. Jonynas. The research consists of three sections each beginning with the review of the sociocultural situation in which the dominant musical source is discovered. The works of music and literature are compared in terms of topic, genre references, structure of the piece, rhythm and phonetic system. It should be noted that poets are selecting musical traditions from folklore of their own culture as well as musical traditions from literary works of other cultures. The paper comes to a conclusion that modernist poetry from different periods of the XXth century experiences the infuence and affinity of the prevailing and fashionable musical sources of a specific region. The musical sources range from folklore to modern jazz rhythms. The paper offers new approach in the analysis of poetry. Literature is analysed from the perspective of musical genres and poetics. The study includes historic development of modernist poetry and compares authors from diverse set of sociocultural experiences. The comparative method in this paper functions in several ways: as the comparison of arts (music and poetry) and as the comparison of the works of poets from different cultural backgrounds in terms of their chosen musical sources. The paper could interest and be useful to literary scientists and those in the field of musicology that are working with comparative analysis. |
