| Abstract [eng] |
Poetic conception of movement and immobility, concrete images of action and their semantic field characteristic to the creative works of O. Milašius and V. P. Bložė has been analyzed in the article actualizing theopoetic and mythopoetic horizon of the creative works. O. Milašius’ study „Ars Magna“, his paraphrases in V. P. Bložė’s poetry, ideological semantic and stylistic dialogality of the poets have become the point of the comparison of the two authors. Comparative analysis of the perspective of movement allows seeing into topics characteristic to O. Milašius: poetic symbolism of conversation and of the uttered word in general, the relation between love and movement, the significance of body and nature in the experience of earthly movement and in the imagination of eternity having the traces of the latter. The chosen perspective of analysis reveals peculiar metaphorical and symbolical relations of going, walking, continuation, writing and searching for home – the main actions in two V. P. Bložė’s poems, and the symphonic character of their composition. Halt, night meditation and death in V. P. Bložė’s creative works manifest as individual states of immobility and are also open to O. Milašius’ imagery and stylistics. |
