| Abstract [eng] |
The aim of master‘s degree thesis is to create a depth and space illusion in the pictorial art of sky by using minimal means of expression , dry – brushwork technique, minimal number of oil – colour and topical colours. However, is it possible to create a depth and space effect only by the dab of a brush and with an insular colour palette? Will the practical skills be enough in creating depth and space illusion in the pictorial art of the sky, or nevertheless, practice won’t be enough in the creative work and the theoretical part will be invoked? To find the answers to these crucial questions nonfiction, schoolwork literature and the search of the analogue works will assist. In the first part of master‘s degree thesis accessory variations of the sky as an research object in the study fields of philosophy, psychology and the history of art are discussed. In the second part the history of prospect since 2000 B.C. till the present is reviewed. Prospect’s perception and alternation during different slots is discussed. Finally a conclusion is being made, that the apprehension of perspective and its usage is not only important in the art field, but as well in other areas of life. Although, the biggest impact it had on art. When a solid perspective’s background was formed it fundamentally changed the way of painters and sculptors oeuvre. |
