| Abstract [eng] |
The Reality sometimes represented by material space – the objects in phenomenological view. According to this problem the world of objects to the person conscious is knowable by sense. The phenomenology of material world is the problem of this Master’s Thesis. The theme of the work – the object world spread in creation of Kęstutis Navakas poetry. The aim of Master’s Thesis is to reveal the variety of phenomenological object world and its poetical expression in author’s creation. By trying to reach the aim, the next goals were used: to let you know the materiality concept by analyzing verses in philosophical principle; to describe semantics and poesy meaning of it in poetry; to detect the objects, which are important to lyric subject; what they represent, sense using the images of objects, their dominants; to describe the relation between objects and person; name all the possible emotions that object can rouse; to present links of memories for lyric subject; to find out the sameness of lyric subject: in what way, through which objects in the meaning of K. Navakas poetry. In theoretical part according to theory of Ortega Y Gasseto, M. Haidegger, T. Kačerauskas and others with the modernist conception of objects in phenomenology tradition. Phenomenology forms the new perspective of reality perception. A lot of attention belongs to seek for the essence and to the perception of sense world. For phenomenology the text is the witness of the creating conscious. Master’s Thesis quotes the theory of depot of phenomenological literature. Phenomenology of literature means the reversion to the literature itself. The analysis of phenomenological literature is the possibility to appear for profundity of poetic texts and their material world. Investigative part of Mater’s Thesis includes the analyses of phenomenological literature of the possibility to appear the profundity of poetic texts and their material world. Investigative part of Master’s Thesis includes the analyses of K. Navakas poetry in various periods and in some corpuses. The simple objects are pointed but they are very important to lyric subject. The object in poetic surrounding uncloses with new, not known meanings to objective world, phenomenological viewing let us understand the mutual honesty between person and objectives. In the work the object investigates as the word stimulating minds of lyric subject, disclose their exclusive place in everyday life. The relationship between phenomenological close ‘I’ become pointed, which is known from objects intention of different spaces and times interaction in person conscious. c subject by minds wonder away to thinking about death, the dead. The aesthetic of silent appear as important form, of being with oneself, in contact with object. The silent in K. Navakas poetry arises from loneliness, form searching for essence and meaning, coalface with object, contrary of world and people living in it. The speaking or telling lyric subject however is often close to silent situation. Material metaphors and their polysemy, material world of lyric subject, the object in space and the object like symbol of experience, the play of object and their role in carnival and theatre world – these are the main aspects, by which the poetry of K. Navakas is analyzed in phenomenological view. |
