| Abstract [eng] |
The main problem approached in the creative work is to find human existential entity links which reflect in natural forms. To answer the question: do any relations which perhaps reflect in entity space of a man, bind a human being and nature? The main idea of the creative work “The magic of a circle” is individually to reveal and interpret the links between nature and a human being. Also, to speak about stages of human evolution, which are necessarily connected with the rhythm of nature, about social factors which influence the formation of a personality, the inside and outside entity of an individual, who usually outlives confrontational situations inwardly. The skin and integument is a tunic which covers and restrains two spaces. However, the limit between outer environment and individual inner space is provisory. The body becomes a reflex of inner state of a man. You can always take off a cover of an interpretive mask and see the inscrutable reality, vulnerability, fear and weakness. It becomes a variety of a defensive integument, which hinders the individual to communicate or exchange proficiency with the entourage. In this conceptual work “The magic of a circle” the interpretation between nature and a human being is solved using leather, as a material coherent with the idea, and artistic plastic solution is applied. There a symbolic interpretation of signs and forms entangles. Signs, forms and colours are references to an evolution of a secret idea, in which an aspect of natural beauty, relationship and state reflects. Images become the main “stimulants” of the idea in consolidation the inner monologue with the comprehension. |
