Title Komunikacijos samprata Tomo Venclovos poezijoje /
Translation of Title The concept of communication in the poetry of the Tomas Venclova.
Authors Markavičienė, Dalia
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Pages 43
Keywords [eng] Key words: T. Venclova ; communication ; poetic communication ; that is-being ; set up.
Abstract [eng] Language is not the only way to communicate: a person communicates with all your being, and its interaction with another / other process up as much as three components: 1. verbal; 2. nonverbal, which include exterior and the sign language of the second vocal – as we speak; 3. word – a language of contents. Nonverbal communication component of the process of understanding one another, or build bridges, to 55 percent., vocal – 38 per cent. and the word – only 7 percent. significance and importance. So, sometimes body language tells much more than words, or even the effect fails to do so when necessary, etc. Y. available does not reach the goal, verbal language helps verbal. Communication can be one-sided and mutual. The latter is usually referred to as the dialogue. One-sided communication, where there is no real-time feedback, a model must be regarded as fiction, based on – a letter. The latter, according to M. McLuhan – one of the media, or from one human sequels. However, if other media hypnotism goals may involve a wide range of audio-visual means of expression ways of writing – just an artificial system of symbols, known as the language of the communication components only one – of the verbal content. Thus, the text read like his writing: it is an individual act, when a new value. T. Venclova works as the sole emphasis on language and the underlying importance of communication and communication between human beings, the poetical and communication. T. Venclova poetic basis of communication – his native Lithuanian. The man, having a language that can communicate through, show your lo-being. And all those who have no language, not here, and its existence – are just symbols. Although not itself be sure the language is implemented speech, but its ability to survive – written sources, a letter in general, it is regarded as the guarantor of eternity. In his work of T. Venclova brings the poet's vocation, destiny, choice, the pursuit of exclusivity. Although, in a poem, much more than their talent to rely on language. But not blindly rely on it in order to feel and understand as poetry – is particularly strong in oral concentration. Poetry, poet, standing among the gods (or God) and people that provides a secondary immortality. Language is a binary system between two poles: the silence and speech, light and darkness, emptiness and fullness, and beeng nothingness, life and death. Since language is what leads to the light, the fullness of life and beeng, human language tools (mouth, tongue, palate), equivalent to childbirth organs (uterus, womb). Hölderlin say that everything remains up poets, arguing that poetry – set up an oral speech. T. Venclova creative poetry, or poetic communication, understood not as the world's development, giving the names of things, but as the chaos of the world organization to codify, harmonization. Although it is recognized that such an option is a poet, etc. Y. a unique opportunity to establish a world similar to God. Thus, although the poet's work is similar to that of Sisyphus, however, is very much needed: the poet is not so much the world changers, as far as the conscience – eschatology poetry, directed towards the future. In addition to the poetry world can be transformed and language. T. Venclova poetry and poetry is the most disciplined spontanish opposed to poetry. T. Venclova without any compensation attributable to the poets modernists. The modernist poetry is characterized by a deliberate care and poet explicated language – the same writing process. The dominant composition-communicative T. Venclova verse-making, organizational strategy – developed a narrow and limited use of commodity codes.
Type Master thesis
Language Lithuanian
Publication date 2012