| Abstract [eng] |
Theoretical part of master’s thesis Wall Fragments analyses the emigration and exile problems in the historical periods. The problem is related with the antique law of ostracism applied in the Ancient Greece. The position formed is based upon assessments of various scientists, literature analysis of scientific sources, memories of the artists who experienced the exile as well as visual creations enriching the topic. Wall fragments are subtle time-affected consonances of snatches. Their cracks are peculiar signs of the time, demonstrating fractures of the nation's history. The walls are a primary source of history, marked on their faces with features and emotions of time and space. They do not speak human language, they convey abstract silhouettes by subjectively understandable signs. Expressionist art theory was the basis for creating the collection of works. The concept of the collection is formed on the basis of the German philosopher N.Hartman idea related to reality the individual reality rendering of giving human emotion content. A.Maltraux, J.Ortegos y Gaseto, aesthetic theorists J.Stolnitz, Frank Sibley statements of abstract art are also relied upon. |
