| Abstract [eng] |
This Master’s thesis examines the transformation of former industrial spaces into cultural venues in the city of Klaipėda. The research problem is associated with processes of urbanisation, the uncertainty of urban identity, and the priorities of cultural policy. The thesis is based on the assumption that converted industrial spaces functioning as cultural venues constitute a significant part of the city’s cultural life. However, their activity is often characterised by impermanence and limited financial support from municipal or state institutions, which contributes to the gradual disappearance of these spaces over time. Since they are not fully integrated into the city’s cultural policy, this process is associated with a narrowing of cultural diversity and a decline in social and economic potential. The aim of this thesis is to analyse how the transformation of former industrial spaces into cultural venues creates conditions for various cultural activities (such as alternative music concerts, theatrical performances, and educational initiatives) and what added value the activities carried out in these spaces provide to the city. The research applies semiotic and cultural theory, as well as an anthropological approach, drawing on the works of J. Lotman, R. Williams, and V. Turner. Industrial spaces are analysed as transitional, liminal zones in which alternative cultural practices and communal bonds (communitas) are formed. Culture and industry are understood as interconnected yet opposing categories, enabling the analysis of these spaces through the relationship between institutionalised forms of culture and cultural initiatives operating within industrial environments. The analysis focuses on the cultural venues “Hofas”, “Herkus Kantas”, “Kultūros fabrikas”, and “Malūno loftas”, all located in former industrial areas, in order to highlight differences in their modes of operation and the values they articulate. The results of the study demonstrate that cultural activities taking place in the analysed former industrial spaces create favourable conditions for a variety of cultural and social initiatives. These spaces are capable of hosting professional-level events, providing opportunities for both emerging and established creators to perform, implementing unconventional event formats, and fostering as well as strengthening social bonds. In contrast, institutionalised cultural spaces tend to be characterised by greater regulation, a stronger orientation towards representational culture and a more formal relationship with audiences. The conclusions state that transformed industrial spaces in Klaipėda function as a temporary, intermediate stage of urban development, temporarily activating urban spaces prior to their further conversion. This suggests that the priorities of urban development and cultural policy are not oriented towards preserving these spaces, despite their actual significance to the city’s cultural life. As a result, the issue of continuity in these spaces may not only reduce the diversity of cultural events in the city, but may also have significant long-term consequences. |
